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Thursday, March 14, 2019

The Doppelgänger in Mary Shelleys Frankenstein Essay -- Literary Anal

In Mary Shelleys wise, Frankenstein, a major motif running play throughout the novel is doppelgnger, which means double. Doppelgnger is a counterpart of a surviving person, meaning a mirror image of each other, and plays a bombastic role in Frankenstein. Victor Frankenstein creates a creature, by lingering rough graveyards consisting of old body parts. The creature is brought to life and Victor is excite by what he has created. The creature is the counterpart to his maker, Victor Frankenstein. Victor and the creature fit each other in more ways than one, exhibited throughout the novel such as their relationship with nature, or desires for family. The doctor Victor Frankenstein and his monster interpret of one another and their relationship mirrors that of the head and the heart, or the intellect and the emotion. In this context, the monsters actions have been viewed as manifestations of the doctorsand Shelleysrepressed desires (Bomarito and Whitaker). The motif of doppelgnger is established when Victor created the creature. As Victor is just and obsessed with science, he resorts to creating a being of a gigantic stature, that is to say, well-nigh eight feet in height, and proportionally large (Shelley 38). Whenever the creature comes to life, Victor is frightened and flees from the creature, even though he does not realize, that he has subsequently created a double of himself. Victor Frankenstein and his creation are alike in some(prenominal) ways, one of them being their appreciation of nature. Victor embraces the nature for the quick act that he escapes the creature as it filled me with a sublime transport that gave wings to the soul and allowed it to soar from the obscure world to light and bliss (Shelley 84). Vict... ... . Detroit Gale, 2006. Literature Resource Center. Web. 24 Jan. 2012. stupefy, Chris. Frankenstein is it really about the dangers of science? Chris Bond explores how Frankenstein is about somet hing more than the danger of scientific experimentation. The English Review Sept. 2009 28+. Literature Resource Center. Web. 29 Jan. 2012.Shelley, Mary. Frankenstein. New York, New York Bantam Books, 1981. Shelley, Percy Bysshe. On Frankenstein. The Athenaeum 263 (10 Nov. 1832) 730. Rpt. in Nineteenth- Century Literature Criticism. Ed. Jay Parini. Vol. 14. Detroit Gale Research, 1987. Literature Resource Center. Web. 24 Jan. 2012.Yousef, Nancy. The monster in a dark room Frankenstein, feminism, and philosophy. Modern quarrel Quarterly 63.2 (2002) 197+. Literature Resource Center. Web. 24 Jan. 2012

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